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Daffy Duck : Looney Tunes Spot!

Released by: Warner Bros.
First Appeared: 1937
Creator: Tex Avery
Meet our favourite jealous Duck!
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Daffy Duck, animated cartoon character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. Daffy was the first of the new breed of "screwball" characters that emerged in the 1930s and supplanted traditional "everyman" characters, such as Goofy, in popularity in the 1940s.

Daffy is also one of the most difficult cartoon characters to define. Virtually every Warner Bros. animator put his own spin on the duck; Daffy may be a lunatic vigilante in one short but a greedy glory hound in the next. Bob Clampett and Chuck Jones especially made extensive use of two very different versions of the character.


Daffy first appeared on April 17, 1937 in "Porky's Duck Hunt", directed by Tex Avery with Bob Clampett being an uncredited co-director. The cartoon is a standard hunter/prey pairing for which the studio is famous, but Daffy (not more than a bit player in the short) represented something new to moviegoers: an assertive, combative protagonist, completely unrestrained and completely unrestrainable. When audiences left the theaters, they could not stop talking about (as Porky Pig puts it) "that crazy, darnfool duck."

This early Daffy is not a handsome creature; he is short and pudgy, with stubby legs and beak. His voice (performed by Mel Blanc and patterned after Warners producer Leon Schlesinger's) is about the only part of the duck that would stay with him.

By the early 1940s, director Robert McKimson tamed Daffy a bit, redesigning him yet again to be rounder, less elastic. The studio also instilled some of Bugs Bunny's savvy into the duck, making him as brilliant with his mouth as he was with his battiness. This era also saw Daffy teamed up with Porky Pig, the duck's one-time rival now his straight man. Daffy would also feature in several war-themed shorts during World War II. Daffy always stays true to his unbridled nature, however, attempting, for example, to dodge conscription in "Draftee Daffy" (1945) and battling a Nazi goat intent in eating Daffy's scrap metal in "Scrap Happy Daffy".

Jones's Daffy

As Bugs Bunny supplanted Daffy as the Warners' most popular character, the directors still found ample use for the duck. Several cartoons place him in parodies of popular movies and radio serials. For example, "Dripalong Daffy" (released in 1951 and named after the popular Hopalong Cassidy character) throws Daffy into a Western, while "Robin Hood Daffy" (1958) casts the duck in the role of the legendary outlaw. In "Duck Dodgers in the 24th 1/2 Century" (1953) Daffy trades barbs (and bullets) with Marvin the Martian.

Bugs' ascension to stardom also prompted the Warner animators to recast Daffy as the rabbit's rival, intensely jealous and determined to steal back the spotlight. Chuck Jones would most successfully use the idea. Jones redesigned the duck once again, making him scrawnier and scruffier. In Jones' famous "Hunter's Trilogy" of "Rabbit Fire", "Rabbit Seasoning", and "Duck! Rabbit! Duck!" (1951-1953) Daffy's vanity and excitedness provide Bugs Bunny the perfect opportunity to fool the hapless Elmer Fudd into repeatedly shooting the poor duck's beak off. Jones' Daffy sees himself as self-preservationist, not selfish. However, this Daffy can do nothing right that does not backfire on him, singeing his tailfeathers as well as his dignity.

In fact, it is in the cartoons of Chuck Jones that this new, self-centered Daffy becomes fully realized. Many critics consider Jones' metafictional "Duck Amuck" (1953) to be Daffy's (and Jones') finest cartoon. In it, Daffy is plagued by a godlike animator whose malicious paintbrush alters the setting, soundtrack, even Daffy himself. When Daffy demands to know who is responsible, the camera pulls back to reveal none other than Bugs Bunny. "Duck Amuck" is widely heralded as a classic of filmmaking for its illustration that a character's personality can be recognized independently of appearance, setting, voice, and plot. In 1999, the short was selected for preservation in the United States National Film Registry.

Friz Freleng would use the Jones idea for Daffy in "Show Biz Bugs" (1957) wherein Daffy's trained pigeon act is played to nothing but crickets chirping in the audience, while Bugs' song-and-dance numbers thrill the spectators.

Daffy in the 1960s

After the Warner Bros. animation studio reopened in the 1960s, Daffy would become a true villain in several Speedy Gonzalez cartoons. The Warner Bros. studio was entering its twilight years, and even Daffy had to stretch for humor in the period. Some fans consider this the most controversial interpretation of the duck, who is openly malicious.

Daffy today
Daffy Duck, as seen in an episode of the "Duck Dodgers" TV series
Daffy Duck, as seen in an episode of the "Duck Dodgers" TV series

Daffy continues to live on in a number of cameo appearances and later cartoons such as a piano duel with fellow fowl Donald Duck in 1988's Who Framed Roger Rabbit. Daffy has also had major roles in films such as Space Jam in 1996 and Looney Tunes: Back In Action in 2003. That same year, Warner Bros. cast him in a brand-new Duck Dodgers series, which some critics saw as a return to the grand, crazy days of old for the character. Daffy has also been featured in several webtoons which can be viewed at In the TV series Tiny Toon Adventures, Daffy appears as the mentor of Plucky Duck and a teacher at Acme Looniversity.

On the television show Babylon 5, Daffy appears as Michael Garibaldi's favorite cartoon character, and when G'Kar inquires about a poster of Daffy in Garibaldi's room, Zack Allan tells him the image is of the "Household God of Frustration."

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